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For more than 30 years with The Klezmatics, Sklamberg has made the vibrant klezmer genre relevant to modern audiences. “It sounds like home to me. It sounds like where I’m from. It has a certain familiarity and comfort for me that I haven’t found anyplace else.”. Even listeners who don’t have a similar background find that the music reaches them on an emotional level. “If the music is good and you’re playing it with your heart, people understand it, whether or not they technically comprehend the actual words you’re singing,” Sklamberg said.

Vocal Recital: Each fall the San Jose Woman’s Club presents a promising voice student from San Jose State University, in recital at the clubhouse, This year’s recipient of a $2,500 award presented by the Woman’s Club is soprano Jennifer Graves, who will perform, The event begins with ballerina cookie cutter set, tutu cookie cutter, ballet shoe cookie cutter, ballet cookie cutters, sugar cookie cutters, biscuit hospitality, followed by a catered luncheon and the recital, Oct, 12, 11:30 a.m, Tickets are $20 in advance; send a check made out to the San Jose Woman’s Club, for $20, to the Clubhouse at 75 S, 11th St., San Jose 95112, For more information, call Alma Taylor at 408-269-2395..

As the Muslim world’s first opera, which premiered in Baku when Azerbaijan was part of the Russian Empire, Hajibeyli’s “Layla and Majnun” was conceived as an East-meets-West work. Rather than trying to blend traditions, he created an epic with specific sections composed for arias and Western instruments and mugham sections where he specified Azeri modes and left space for vocal improvisation. Under the direction of Yo-Yo Ma, the Silk Road Ensemble first tackled the work about a decade ago at the urging of Alim Qasimov, an iconic figure in Azerbaijan who wanted to raise awareness of Hajibeyli’s groundbreaking opera, which is performed annually in Baku. Arranged by Qasimov and violinists Colin Jacobsen and Johnny Gandelsman (fellow Silk Road founders), the opera seemed tailor made for a collaboration with Morris, with a story “right in line with other tragic works that Mark has staged, like ‘Dido and Aeneas’ and ‘Romeo and Juliet,’” said Jacobsen backstage at the Greek Theater, before a recent Silk Road Ensemble performance.

As Kim approaches a full year after Jo’s death, she remembers her headstrong cousin with a mix of sadness, happiness and a little envy on how she lived her life, “God, she’s done so much at 29, what more could she have done if she lived a full life?” said Kim, “She did exactly what she loved every single day, In that sense, I wasn’t very sad, That’s one thing I envy about her even to this day.”, — Seung Lee, Nicole Renae Siegrist, After her only ballerina cookie cutter set, tutu cookie cutter, ballet shoe cookie cutter, ballet cookie cutters, sugar cookie cutters, biscuit child’s death, Carol Cidlik threw herself into her work at a medical clinic in Honolulu as a way to stay busy and cope with her pain..

In 1960, when she was a college student, she was one of dozens of people arrested in San Francisco while protesting hearings there of the House Un-American Activities Committee. In an interview for the 2000 book “Driving Mr. Albert: A Trip Across American with Einstein’s Brain” by Michael Paterniti, Evelyn Einstein said: “It’s not so easy being an Einstein. When I was in school at Berkeley in the ’60s, I could never tell if men wanted to be with me because of me, or my name. To say, you know, ‘I had an Einstein.’ ”.