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The new set of songs both dig down into the roots of tango while also seeking to expand the audience for the styles. Reflecting the polyglot nature of her upbringing, the program includes lyrics in Spanish, Yiddish, English and Italian “the environment where I was born, a Tower of Babel,” Simcovich says. “The songs come from the memories of being surrounded by languages, and the way immigrants are always mixing languages so they won’t interrupt the flow of communication. Growing up I started to pick up Italian from the family next door, though it was actually Neapolitan, so I was mixing Neapolitan and Yiddish.”.

Hippolyta/Titania is leggily and eloquently danced by Helene Bouchet, who repeatedly sails atop Theseus/Oberon’s shoulder (Thiago Bordin) like winged Victory, Who can get behind the 1977 costumes, though? Despite their retro silliness, the lugubrious, slow slides to second position with meaningless gesticulations might still have suggested nursery art ballet shoes nursery canvas art , ballet wall hanging, baby girls room art print enchantment if Neumeier had aligned his emotional stars, But the musical accompaniment to this invasion strays from the lyricism of Shakespeare and the lushness of Felix Mendelssohn’s score to a fever dream set to Gyorgy Ligeti’s “Volumina for Organ.” It’s as though Neumeier slipped Shakespeare’s Hippolyta a dystopic hallucinogen intended for Lisbeth Salander, the Amazonian heroine of “The Girl with the Dragon Tattoo.”..

Set designer Nina Ball creates an elegant faux-marble set that includes interesting surfaces to heighten Micah Stieglitz’s video projections. Callie Floor designed the colorful costumes, including a breathtaking ensemble worn by Mbele-Mbong during a party scene. Whether you believe Mugabe is a freedom fighter breaking the bonds of British colonial rule or a brutal tyrant, this absorbing drama will capture your imagination. “Breakfast with Mugabe” continues through Dec. 7 at the Aurora Theatre, 2081 Addison St. in Berkeley. Call 510-843-4822 or go to www.auroratheatre.org.

“I moved to New Orleans, for non-musical reasons, and heard people playing traditional music on Frenchmen Street, I’m sure I had heard like Louis Armstrong or Billie Holiday recordings before, But when I saw people performing the music live, I really got bit by the bug, I really, really loved it.”, She bought a clarinet from a pawn shop and began playing again, “People in New Orleans were very generous nursery art ballet shoes nursery canvas art , ballet wall hanging, baby girls room art print with me, generous with their time, their talent and expertise, And I learned to play that music.”..

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